Search Results for: label/interview

Interview: They’re Talking About You Again, Erland & The Carnival.

…ut music. He and Wez [Westley, fellow co-founder] struggle as a couple, and struggle to make ends meet – as most labels do these days – but they’ve always been very supportive, and very eager. Which makes it very easy for the bands on the label to do what they want to do. Were we to go to a bigger independent label – never mind a major label – there would be so much more pressure [put upon us] to look, or sound a certain way; but with Full Time H…So on & so forth…

Interview: Babblin, Celebration.

…test full-length effort, Albumin; next, they return to London to play The Shacklewell Arms alongside Bella Union labelmates Landshapes, so here we are, stuck in the middle with an interview. Ford and I in fact conversed late on last month, midway through a “gorgeous” week back home in Baltimore. Summer, so Ford then informed, is her “favourite time of year – I’m just happy that it’s not winter”, but Albumin – an album bristling with real warmth –…So on & so forth…

Interview: Solar on the Rise, Tennis.

Prior to playing Hackney’s Oslo last month, it had been “two years almost” since Alaina Moore’s Tennis last washed up on these shores. “It’s been a really long time, but we needed it” she admits, visibly fresh-faced – her spindly, nigh on infantile figure now tattooed with spaceships that fall out from her sleeves and fly down her forearm. We begin, as so many reviews and career retrospectives have tended so to do, with Cape Dory – she and hubby…So on & so forth…

Interview: Hangin’ On, Sean Nicholas Savage.

It would take a far more psychoanalytical mind than mine to unravel the enigma that is Sean Nicholas Savage. However, even one as unimaginative as that which calls my cranium home will be able to readily appreciate the surreal, if rarely cerebral balladry that has become Savage’s stock-in-trade. His stock continues to rise with his every release, not least with his sublime Other Life of last year and the similarly impressive Bermuda Waterfall of…So on & so forth…

Interview: Familiars Revisited, The Antlers.

With their back catalogue littered with such titles as Hospice and Burst Apart, it should come as little surprise to find that Brooklyn three-piece The Antlers represent one of the more moribund, when not morbid-sounding bands about. Not that lead singer Peter Silberman, who we spoke with over the phone ahead of this week’s London return, live at the Hackney Empire, necessarily feels there is ever a need to really tone down the dolour… “I…So on & so forth…

Interview: Let’s Grow, Gulp.

Every day, when I wake up, I thank the Lord I’m Welsh and rarely have I done so more frequently than of late although, to come absolutely clean, I in fact spoke with Guto Pryce of Gulp last winter. As the lengthening days have since strung themselves out to dry, becoming increasingly busy all the while, only now – with the release of he and (both musical and marital) partner Lindsey Leven’s début full-length, Season Sun due – do I find time to l…So on & so forth…

Interview: Out of the Dark, Klaxons.

It seems completely perfect for Jamie Reynolds to be sat on the floor, with a cider, as might be however-many boys today, but of his age when Klaxons first enamoured Reading Festival back in 2006. Of his mother’s attitude toward the band, now in its tenth year of existence, he exclaims: “How long are you gonna keep doing this, you idiot?” He continues in remarkably convincing, maternal tones, “And now you’ve gotten your younger brother into it –…So on & so forth…

Interview: In Time, Two Voices; Blood Red Shoes.

“We were cool for about three weeks” reminisces Blood Red Shoes’ Steven Ansell at Reading Festival 2014. Sat backstage, “smashing” the “classy” Prosecco – having done likewise with the neighbouring Main Stage, he recollects: “Remember when we got in all those magazines? We now get in magazines everywhere but here.” But Blood Red Shoes have been around for rather longer than three weeks – the band made up of Ansell and Laura-Mary Carter turned “t…So on & so forth…

Interview: Walking the Walk, Kwabs.

To paraphrase something of a hackneyed cliché, unless you’ve been living beneath several miles of rocky, geologic crust, you’ll surely be aware of Kwabs. A contraction of Kwabena Adjepong’s forename, in fact, so housequaking is the Ghanaian-born, if London-bred crooner’s soulful vocal, that even then, you’ll likely have already heard one of Into You, Spirit Fade or stentorian, forthcoming single Walk somewhere or other deep beneath the surface….So on & so forth…

Interview: Conversation[s], Woman’s Hour.

Sat inside Rough Trade East ahead of a quietly sublime instore performance that same evening, in soft, lilting Kendal tones, Woman’s Hour’s Fiona Burgess is waxing lyrical – at length, no less – about the “fucking phenomenal” Nils Fram. A self-professed “massive fan”, she tells of how she loves “a really good show – I love going to a show, and seeing an atmosphere be created with the architecture, the lights, and the carefully thought-out stage….So on & so forth…